Uncovering this Disturbing Reality Within Alabama's Prison System Abuses

As filmmakers Andrew Jarecki and his co-director entered Easterling prison in the year 2019, they witnessed a misleadingly cheerful scene. Similar to the state's Alabama prisons, the prison largely prohibits journalistic entry, but permitted the filmmakers to film its annual volunteer-run cookout. On film, incarcerated individuals, predominantly African American, celebrated and smiled to musical performances and religious talks. However off camera, a different story surfaced—terrifying beatings, hidden stabbings, and indescribable violence concealed from public view. Pleas for assistance were heard from overheated, filthy housing units. When Jarecki approached the voices, a prison official halted recording, stating it was dangerous to interact with the men without a police escort.

“It became apparent that certain sections of the prison that we were not allowed to view,” Jarecki recalled. “They employ the idea that it’s all about safety and security, because they aim to prevent you from understanding what they’re doing. These facilities are like black sites.”

The Revealing Film Exposing Decades of Abuse

This interrupted cookout meeting begins the documentary, a stunning new documentary made over six years. Collaboratively directed by Jarecki and Kaufman, the two-hour film exposes a gallingly broken institution rife with unregulated abuse, forced labor, and extreme cruelty. It documents inmates' herculean efforts, under ongoing physical threat, to change conditions deemed “illegal” by the federal authorities in the year 2020.

Secret Footage Reveal Ghastly Conditions

Following their suddenly ended Easterling tour, the directors connected with individuals inside the Alabama department of corrections. Led by long-incarcerated organizers Bennu Hannibal Ra-Sun and Robert Earl Council, a network of sources provided years of evidence recorded on illegal cell phones. These recordings is disturbing:

  • Vermin-ridden living spaces
  • Heaps of human waste
  • Rotting meals and blood-streaked surfaces
  • Routine officer beatings
  • Men removed out in body bags
  • Corridors of men unresponsive on drugs sold by staff

Council starts the film in half a decade of isolation as punishment for his organizing; subsequently in filming, he is almost beaten to death by officers and suffers sight in an eye.

A Story of Steven Davis: Violence and Obfuscation

This violence is, the film shows, standard within the prison system. While incarcerated witnesses persisted to gather evidence, the directors investigated the death of an inmate, who was assaulted beyond recognition by guards inside the William E Donaldson prison in October 2019. The documentary traces the victim's parent, Sandy Ray, as she pursues answers from a recalcitrant prison authority. She discovers the official version—that Davis menaced guards with a knife—on the television. However several incarcerated observers informed the family's lawyer that Davis wielded only a plastic utensil and surrendered immediately, only to be beaten by multiple guards regardless.

One of them, Roderick Gadson, smashed the inmate's skull off the hard surface “like a basketball.”

Following three years of evasion, Sandy Ray spoke with the state's “law-and-order” attorney general a state official, who told her that the authorities would not press criminal counts. The officer, who had more than 20 individual legal actions claiming brutality, was promoted. Authorities paid for his legal bills, as well as those of all other guard—part of the $51m used by the government in the past five years to protect officers from misconduct claims.

Compulsory Work: A Contemporary Slavery System

The government profits financially from continued imprisonment without oversight. The Alabama Solution describes the alarming extent and double standard of the ADOC’s work initiative, a compulsory-work system that effectively functions as a modern-day mutation of historical bondage. The system provides $450m in products and work to the state each year for virtually minimal wages.

In the system, imprisoned workers, overwhelmingly Black residents considered unsuitable for society, earn two dollars a day—the identical daily wage rate set by Alabama for incarcerated labor in the year 1927, at the peak of racial segregation. They labor more than half a day for private companies or government locations including the state capitol, the governor’s mansion, the Alabama supreme court, and municipal offices.

“They trust me to labor in the public, but they refuse me to give me release to leave and go home to my loved ones.”

Such workers are numerically more unlikely to be released than those who are do not participate, even those considered a greater public safety risk. “That gives you an understanding of how important this low-cost labor is to Alabama, and how critical it is for them to keep people locked up,” stated Jarecki.

Prison-wide Strike and Ongoing Fight

The Alabama Solution concludes in an incredible feat of activism: a system-wide inmates' work stoppage demanding improved treatment in 2022, organized by an activist and his co-organizer. Contraband cell phone footage shows how prison authorities ended the strike in less than two weeks by depriving prisoners collectively, choking the leader, sending personnel to threaten and beat participants, and cutting off communication from organizers.

A National Issue Beyond Alabama

This strike may have failed, but the message was clear, and beyond the state of the region. An activist concludes the film with a plea for change: “The things that are taking place in this state are happening in every state and in the public's name.”

Starting with the reported violations at New York’s a prison facility, to the state of California's deployment of 1,100 imprisoned emergency responders to the frontlines of the Los Angeles fires for less than minimum wage, “one observes similar situations in the majority of states in the country,” noted Jarecki.

“This is not just one state,” added Kaufman. “There is a resurgence of ‘law-and-order’ policy and language, and a retributive strategy to {everything
Angela Perez
Angela Perez

A seasoned fashion journalist with a passion for sustainable style and trend forecasting.